अर्पिता चौधरी – Arpita Choudhary

अर्पिता चौधरी अंगिका भाषा की एक उभरती हुई गायिका और रचनाकार हैं | उनकी गायकी बहुत ही मधुर और दिल को छू लेने वाली है. उन्होंने कई विषयों पर गाने और गीत गाये हैं, जिनमें से कई विवाह गीत, छठ पूजा गीत और अंगिका एवं अंग क्षेत्र की संस्कृति के ऊपर गाये गीत हैं| वो कई बार अपने गीत खुद ही लिखती हैं | अर्पिता चौधरी अंगदेश.कॉम से भी जुडी हुई हैं।

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मनोज कुमार पंडित – Manoj Kumar Pandit – मञ्जूषा गुरु

Shri Manoj Kumar Pandit (Bhagalpur, Bihar), known as Manjusha Guru in the Bhagalpur district of Bihar is transforming the ancient art of Ang Pradesh, the Manjusha Kala, and creating a space equivalent to well-known Mithilanchal Madhubani paintings. With his consistent efforts and dedication, Manjusha has been evolving as one of the most unique and influential art in the country. He has been practicing this art since childhood along with his mother when she used to draw Manjusha art on plates and other utilitarian items.

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कुणाल बैकुंठ सिंह (Kunal Baikunth Singh)

Born to Late Shri Baikunth Singh and Late Smt. Siya Devi in the year 1967, Mr.Kunal Singh, the Producer, Director, Writer, and the Hero of the first ever Angika Language Feature Film, “Khagariya Vali Bhouji” belongs to Bodhnagar-Titahi village of Shambhuganj Block under Banka District of Anga region (Bihar State) of India.

His early days were spent in financial scarcities. He did his Primary schooling from Rajghat Middle School, at Banka. After completion of 10 th Board exam from Madita Vidyarthi High School, he moved to Evening College (Now B.N.College) for his Intermediate. He had to leave his graduation incomplete due to financial paucity. Meanwhile he did farming, raring cattles, sold milk up to Rampur Bazaar.

Thereafter, he left for Delhi with just one Rupee in hand. There he started working in a leather factory with a salary of Rs. 30/- per day. For his hard work, he was promoted to the store manager. Later, he was appointed as chairman…

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नेहा शर्मा (Neha Sharma)

Neha Sharma (born 21 November 1987) is an Indian film actress and model. A native of Bihar, Sharma attended the Mount Carmel School in Bhagalpur and pursued a course in fashion design  from the National Institute of Fashion technology (NIFT), New Delhi.

Sharma's first role was in the Telugu film Chirutha, released in 2007. Her first Hindi film was Mohit Suri's Crook, released in 2010. Sharma made a cameo appearance in Kunal Kohli's Teri Meri Kahaani, and was cast in a full fledged role in Ekta Kapoor's Kyaa Super Kool Hai Hum

Personal life

Her hobbies are cooking, listening to music, reading and dance. Sharma is trained in Indian classical dance form called Kathak. Apart from that she has also learned street hip hop, Latin dancing-salsa, merengue, jive and jazz in London. She considers Kate Moss as her style inspiration. Sharma also aspires to launch her own clothing label.

Filmography

 

Year Title Role(s) Notes   2007…
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अशोक कुमार (Ashok Kumar)

The boss's wife and leading actress of a leading Film Company runs off with her lead man. She is caught and taken back but not the lead man who is unceremoniously dismissed. So now the company needs a new hero. The boss decides his laboratory assistant would be the Film Company's next leading man. A bizzare film plot??? Hardly. This real life story starred the Bombay Talkies Film Company, it's boss Himansu Rai, lead actress Devika Rani and lead man Najam-ul-Hussain and last but not least its laboratory assistant Ashok Kumar. And thus began an extremely successful acting career that lasted six decades! Ashok Kumar aka Dadamoni was born Kumudlal Kunjilal Ganguly in Bhagalpur and grew up in Khandwa. He briefly studied law in Calcutta, then joined his future brother-in-law Shashadhar Mukherjee at Bombay Talkies as laboratory assistant before being made its leading man. Ashok Kumar made his debut opposite Devika Rani in Jeevan Naiya (1936) but became …
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नंदलाल बोस (Nandlal Bose)

Born in Bhagalpur, Bihar on December 1882, Nandlal Bose rose to become one of modern India's most important artists. A product of GCAC, Bose was mentored by Havell and Abanindranath. His integrity and intent idealism were reflected as well as widened with his nationalistic consciousness, his commitment for classical and folk art, along with its underlying spirituality and symbolism, and a responsibility towards shaping the self-consciousness, choices and moral virtues of the people. The early philosophical inspirations came from Havell, Coomaraswamy and Sister Nivedita, while his interactions with the Japanese painters in Calcutta influenced him to realize the significance of the artistic heritage. The Indian renaissance formed the full vision of the magnificent yet ruined past in Abanindranath Tagore. Though it was pervaded with western realism, its nostalgic milieu asserted more of the national and Pan-Asian culture than the topical issues. After this advent, therefore, an i…
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